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William Blake’s verdict on Milton was: “Of the Devil’s party without knowing it”, and much the same could be said of Dennis Wheatley. He virtually invented the popular image of Satanism in 20th-century Britain, and he made it seem strangely seductive. If the appeal of Black Magic in popular culture was ultimately erotic, then this was largely due to Wheatley’s writing, with its reliable prospect of virg­ins being ritually ravished on altar tops.

By the time he died in 1977, Wheatley had shifted around 50 million books, helped by a massive surge in paperback sales during the “occult explosion” of the late Sixties and early Seventies.