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Shadow of the Air Loom

Mike Jay pays a visit to a new exhibition at Heidelberg’s Prinzhorn Collection exploring the history of the ‘influencing machine’ and its elaboration in the creations of outsider artists and schizophrenic visionaries.

As the 21st century settles in around us, the influencing machine is quietly making itself at home in the mainstream of our techno-hungry culture. Only a decade ago, the idea of a covert device that uses futuristic technology to send messages and control minds was the hallmark of cults and subcultures: aficionados of the paranoid science fiction of Philip K Dick, or of a samizdat conspiracy literature where mind-control was occasionally proposed as the hidden hand that unifies the disparate narratives of alien abductions and controlling elites.

Now, for every 12-year-old who has seen The X-Files, The Matrix or many other film, TV and comic spin-offs, the influencing machine needs no explanation, and the Internet hums with stories of subliminal messaging, mysterious implants and military mind-control programmes.

 

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 ‘Je suis radio’, by Natalie Winsch (1924).

 
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